Join us for live news and analysis Monday at 7:30 p.m. as the Warriors take to the road to face their new-look rival Clippers in Los Angeles.For the first time in 10 years, the Clippers (7-5) don’t have DeAndre Jordan, Chris Paul or Blake Griffin on their roster when they’ve faced Golden State.The Warriors (11-2) were no doubt impressed by the Clippers’ 128-126 overtime victory over the Bucks, who routed the Warriors a week ago. Lou Williams’ driving layup with 0.3 seconds left gave …
Many paleoanthropologists are bent on self-promotion, and the field lacks ability to regulate itself, a veteran researcher complains.Tim White of UC Berkeley took the occasion of the Leakey team’s promotion of a new juvenile hominid jaw to point out troubles in the field. Writing in Current Biology with palpable sarcasm, he made comments that should cause concern among those trusting proclamations about human evolution made by researchers and their press agents. Here are some samples:Human bones are common in cemeteries, but remains of our more ancient ancestors and relatives are fewer, further between and notoriously difficult to recover. This is particularly true for fossils that are millions of years old. Biomolecules are geologically short-lived and thus unavailable for parsing truly ancient species lineages.Disagreements are common, and the configuration of the hominid twig on the tree of life remains a matter of particular contention….Kenyan fossils announced in Nature have historically figured prominently in paleoanthropology. In their latest paper of this genre, Leakey et al. introduce the fossilized partial maxilla of an ancient juvenile…. This new paper’s conclusions are said to confirm the authors’ earlier published conclusions….The authors take an unusual approach to constructing, in 3-D digital space, what they think the dental arcade of the new fossil maxilla should have looked like. They accomplish this feat by filling the fossil’s empty and broken tooth sockets with digital models of modern human teeth. Why modern human teeth were better suited than available contemporary fossil teeth is left unexplained.The unilineal depiction of human evolution popularized by the familiar iconography of an evolutionary ‘march to modern man’ has been proven wrong for more than 60 years. However, the cartoon continues to provide a popular straw man for scientists, writers and editors alike. Do most of these species labels reflect real, biologically distinct lineages? Or have the alleged species proliferated merely as a result of taxonomic exuberance misapplied to within-species variation (idiosyncratic, geographic, sexual, and/or ontogenetic)? The sequence of prominent paleoanthropological publications across the last decades reveals a pattern of diversity promotion.Paleoanthropology’s ecosystem of publishing, access, fundraising, career advancement, media promotion and celebrity seems squarely aligned against the field’s ability to self regulate, a condition exacerbated by the limited fossil resources available. There is ample and obvious motivation for authors to generate ‘new’ species names in this environment. Readers should, therefore, beware of attendant species diversity claims. Illegitimate names have become part and parcel of the symbiosis itself. Furthermore, ‘chronospecies’ are merely artificial segments of evolving species lineages, rather than truly separate species. Such assertions of biological species diversity via taxonomic hyperbole are questionable representations of the real paleobiology of our ancestors and their few close, now extinct biological relatives. Despite the branch waving, our family tree still resembles a saguaro cactus more than a creosote bush.So is there a credible story growing out of research into human origins in spite of the personality conflicts and pet theories? White ended by complaining that funding agencies are strangling long-term field research in favor of expensive lab equipment. “More fossils will be needed” to resolve the current conflicts, he complained. “Until a better balance is achieved — and better biological understanding applied — the origins of our genus will remain shrouded by a paucity of paleobiological data.”It’s so nice when one of their own writes the commentary for us. We especially enjoyed #5 and #8. Thank you, Tim White. Now get a real job dealing with something you can know. (Visited 37 times, 1 visits today)FacebookTwitterPinterestSave分享0
Stade de France is the operator of the successful and profitable 80 000-seater Stade de France multi-purpose stadium in Paris, France, which hosted the 1998 Fifa World Cup and the Rugby World Cup in 2007, while Sail is one of the largest sport marketing companies in South Africa. The consortium, called Business Venture Investments 1317, will be expected to be involved in the management of the stadium from January 2009 onwards, and ensure the successful hosting of eight World Cup matches. Lease The in-principle agreement provides for a detailed contract to be signed between the parties, which will describe the roles and responsibilities of the city and the operator in terms of aspects such as maintenance, parking, informal trading, insurance for eventualities and sureties. The operator has offered sureties totalling R10-million, while the approval of the lease on the stadium resides with the municipal council, and will be considered on 3 December. “Cape Town residents and visitors are getting a world-class facility which will host prime sports matches and spectacular events as well as gaining an upgraded sport and recreation precinct,” he said in Cape Town this week. A consortium consisting of South Africa’s Sail Group and French-based Stade de France has been awarded the service contract to operate Cape Town’s Greenpoint Stadium and ensure that it remains a sustainable multi-purpose venue after the 2010 Fifa World Cup. The municipality will receive 30% of earnings before tax (inclusive of municipal rates) on a fixed percentage basis, which, if the stadium becomes successful, will raise the city’s returns significantly. 1 December 2008 The city municipality will pay the consortium to manage the stadium up to and during the World Cup, after which the consortium will lease the stadium from the city for a period of not less than 10 years and not more than 30 years. Post 2010 The consortium will operate the stadium as well as manage and maintain the defined areas of the surrounding urban park and sport precinct on the 85-hectare Greenpoint Common from stadium revenue. City of Cape Town service delivery integration executive director Mike Marsden said the world-class, purpose-built stadium would now get a dedicated team with an international and local track record of experience and success to maximise the value, revenue and sustainability of the stadium. Once the World Cup is over, the stadium capacity will be reduced to 55 000, enabling it to cater for all types of sports, including rugby, as well as music concerts and other major events. The stadium will feature corporate hospitality suites, medical, training, conferencing and banqueting facilities. Source: BuaNews
Share Facebook Twitter Google + LinkedIn Pinterest Continued widespread heavy rains last week kept farmers out of fields in Ohio, according to the USDA, NASS, Great Lakes Regional Office. There were 0.7 days suitable for fieldwork for the week ending June 21st. Heavy rains throughout the state have brought on numerous concerns for producers. Standing water is evident in nearly every field, drowning out crops and favoring disease. The muddy, saturated fields have prevented producers from being able to spray and fertilize contributing to disease, growing pest presence, and increasing weed pressure. Fields washed out from prior rain events have yet to be replanted due to continued rain, and there is speculation it will be too late to replant. Insurance dates for corn and soybeans are June 5th and June 20th respectively. Yellowing of field crops and areas of sudden death are popping up around the state. Hay producers saw missed harvest opportunities, and continue to fight the obstacles of a wet season. The dry areas of the state, predominantly the south, got much needed rain and the crops appear in better condition in that region.The full report is here
Share Facebook Twitter Google + LinkedIn Pinterest After the trees are planted in the spring, a major source of summer labor on my family’s Christmas tree farm is weed control.Weeds can rob young trees of exposure to sunlight, moisture and nutrients. The first year of planting trees on the farm (many years ago) we did not emphasize weed control and lost nearly the entire crop.Since then my dad, brothers and I have spent countless hot, buggy, summer hours mowing between trees. This is most important in the youngest trees, which are also the easiest to mow off while riding on a mower. Imagine looking for an 8-inch tall tree in 8-foot tall weeds. Mowing takes considerable time and fuel and can also cause significant damage to larger trees by breaking branches and scarring the trunks. We do some spraying, which helps, but there are drawbacks and limits with that weed control method as well.As an experiment, we are trying a Dutch white clover cover crop planted ahead of tree planting. We have been told the Dutch white clover’s short stature and aggressive natureMowing between the trees is time consuming, costly and can lead to damaged or mowed-off trees. This is the first mowing of 2016 and the weeds are towering over the young seedings.This will likely need to be mowed 2-3 more times this year.smother weeds while allowing even the smallest trees exposure to the sun. The thick clover also holds in moisture, keeps the soil cooler and fixes nitrogen, all of which can benefit the trees.We seeded the clover in spring of 2015 for both the 2015 and 2016 tree crops. In the first year (last year) the clover got established, but the weeds still required regular mowing. This year, though, the clover seems to have really filled in and looks to be doing what it is supposed to do. So far, about the only plants competing with the clover are the dandelions, which are not a huge issue around the trees.The clover has the potential to save tremendous time and money if the clover eliminates the need for majority of the mowing and spraying. It could also really improve the quality and survival rate of the tree crop. I am very interested to see how the weed control holds up through the rest of the growing season and in coming years.
Tags:#NYT#twitter#web The Dos and Don’ts of Brand Awareness Videos audrey watters There is a lot to be learned from our tweets. Laugh if you will. Go ahead. But Twitter has become an important historical and cultural record. It’s a site for real-time news and information, to be sure. The stuff of history with a capital H. Politics. Natural disasters. Revolution. It’s a site that records our cultural history as well (is that history with a lower case H?). Ashton Kutcher. Charlie Sheen. The Oscars. Lower case or capital H – these 140 character exchanges have created an invaluable record for researchers looking at history, politics, literature, sociology. Such was the argument that Twitter made when the startup donated its archives to the Library of Congress. Tweets are important. They should be preserved, archived and accessible to scholars.But Twitter’s recent announcement that it was no longer granting whitelisting requests and that it would no longer allow redistribution of content will have huge consequences on scholars’ ability to conduct their research, as they will no longer have the ability to collect or export datasets for analysis. No Exceptions, Even for ScholarsThat’s the news that 140kit just had to break to its users. 140kit is an extension of the Web Ecology Project, a project that grew out of work at the Berkman Center for Internet and Society at Harvard Law School and one of the very first research efforts into the cultural and political influence as expressed via Twitter. The group’s research into Twitter’s role in the 2009 elections in Iran was, in fact, one of the very first looks into how Twitter may both shape and reflect social and political upheaval.140kit offered its Twitter datasets to other scholars for their own research. By no means a full or complete scraping of Twitter data, this information that the project had collected was still made available for download (for free) to researchers. But no longer.As part of the new Twitter terms of service, 140kit like other organizations can no longer offer exports of Twitter data for any purposes – whether that’s for profit or non-profit, whether that’s for developers or scholars. You could be writing the next killer app. Or you could be working on the final chapter of your PhD dissertation. (And let me interject right here and say that having your access to research data shut down as a PhD student is beyond devastating.) It doesn’t matter. Exporting Tweets now violates the TOS.Shutting Off Researchers’ Access to DataThese changes to Twitter’s TOS mean that 140kit, as a service, can no longer provide its datasets wholesale, even for academic purposes. “For many of our users,” the group says, “this effectively shuts them out of the ability to research the platform.”140kit has come to an agreement with Twitter, which according to Managing Director of the Web Ecology Project Devin Gaffney, means that some data will still be accessible to scholars. But not all the data. Rather than giving scholars the ability to download a particular dataset, 140kit will be able to offer researchers access to 140kit’s analytics. That’s not the same as having complete access, but as an academic group, it does sound as though 140kit will be as amenable as possible to scholars’ needs and be willing to consider what sorts of analyses people need in order to complete their projects.Nonetheless, Twitter’s changing Terms of Service, without exception to scholars, creates an obstacle to research. “This decision is almost certainly going to shut some researchers out,” says Gaffney. “Its a shame because Twitter’s clearly thinking about money and operational stability, which are necessary, but they aren’t considering the myriad number of PhD students that basically just lost their work, or the researchers that were close to saying something meaningful and now have no way to do it.” Gaffney says he sees a “rocky future” ahead for scholarship based on Twitter and says he hopes that the agreement he’s made with Twitter “will last enough time for people to actually continue doing work until whatever comes next.” Related Posts Guide to Performing Bulk Email Verification Facebook is Becoming Less Personal and More Pro… A Comprehensive Guide to a Content Audit
More suggestions for a PGHDan Kolbert, builder and moderator, kicked it off by briefly recapping the results of the first discussion and the comments to Part 1 of this blog series. He clarified that, in his mind at least, the PGH is not meant to be a prescriptive measure for all climate zones (and that in fact he’s not really sure what it’s supposed to be at all), but that we should try to focus our discussion on our zone (Climate Zone 6) and to consider how other climates might relate. RELATED ARTICLES The Pretty Good HouseMartin’s Pretty Good House ManifestoThe Pretty Good House: A Better Building Standard?Regional Variations on the ‘Pretty Good House’Is the Pretty Good House the Next Big Thing?Is the Pretty Good House the Next Big Thing? Part 2Green Building for BeginnersWith many sharp minds in the room and no strong agenda, the discussion wandered around, and as usual there was no consensus on what the PGH metrics should be or even what the PGH concept really means. Good things came out of the discussion though, including the following ideas of what should be included in a Pretty Good House:Near net zero. Jason Peacock suggested this, and he practices what he preaches. He propsed that a PGH should have utility bills of no more than $500 to $700 a year, and that no house should be built without renewable energy systems as part of the mechanical mix.Zoned heating system to reduce the load. Jim Godbout, one of Maine’s premier plumbing and heating experts, says that one relatively inexpensive way to reduce demand on the heating system is to provide separate zones for different parts of the house. He said that if you are using a boiler, a popular choice in Maine, you can also use the boiler to heat domestic hot water — an approach that usually requires a boiler rated at 80,000 Btu/h or more. He says that in a tight, well-insulated house, the heat load could be reduced to 20,000 Btu per square foot per year or less, at which point electrically supplied heat can make sense — but you will need another heat source to supply domestic hot water.Mechanical ventilation should be a given. An HRV or ERV, or possibly an exhaust-only ventilation system, is required with the airtightness level expected of a PGH.At the previous discussion, Mike Pindell of I&S Insulation had suggested 2 ach50 as a reasonably easy target to hit; informal feedback seems to indicate that tighter levels may be preferred. Mike says, “We’re standing here in rarified air,” arguing about the difference between 1 and 2 ach50, when the vast majority of people out there are nowhere near these numbers. Is this a case of building nerds being nerdy, or are supertight blower door numbers really necessary?No fossil fuels. Phil Kaplan offers this concept, and has achieved it in his firm’s Bright Built Barn, which produces more power than it uses. Using no fossil fuels at all may be more than Pretty Good, so the suggestion was amended to “no fossil fuels burned on site.” Affordably sized grid-tied renewable energy system, here we come.Renovating vs. new construction. Dan states that until we get our heads around the concept of the PHG, let’s stick to new construction. Architect Liz Newman argues that in 50 years, 90% of the housing stock will be stock that exists now, so thinking about retrofits is vitally important. Margo Billings of Horizon Energy Services asks whether retrofits should meet the same standards as PGH specifications for new homes. Clearly this group is focused on retrofits, and further discussion about retrofits, when we get to it, will be interesting.Client concerns. Sam Zuckerman of Solaris says that we should bring the discussion back to the customers. Their concerns about achieving a reasonable return on their investment are something he hears about all the time when talking to people about energy upgrades and installations. Should the PGH specifications be a list of “Do this, don’t do that,” or should it be about giving the client the best house you can for the money they are willing to spend?On one hand, Dan relates a story about a leading green builder in New England, who tells customers: If you already have 500 square feet per person, I will not build you an addition.On the other hand, Bob Earnest of Spring Island Builders says, “If you can help people build a greener house than they would have otherwise, then yes — we should continue to encourage smaller footprints. But don’t run away from a house that’s bigger than you might prefer. Each case has to stand on its own. Every time we can make a house greener, or smaller, or better — that’s a win.”A house that uses little fuel will cost less to operate, allowing for a bigger mortgage, and energy incentives also make a difference in what homeowners can afford, so the cost vs. square foot debate is a moving target. Client education is a big part of this too; Dan suggests a Pretty Good House coloring book to help all parties visualize what is important.Energy-efficient assemblies. Wes Riley, an energy rater and consultant, suggests we follow the latest energy code requirements — specifically the 2012 IECC, which has some interesting changes over past iterations. As most of us are not yet aware of the upcoming changes, he says that there is going to be a move from insulation R-value to overall wall assembly U-factor, taking into account thermal bridging and window and door performance. Wes suggests that any house with a HERS performance rating of 40 or less is Pretty Good.Margo agrees that the tipping point is right around HERS 40; that’s where you start to see serious reductions in energy use. Wes says that the easiest thing you can do is to minimize thermal bridging; Sam agrees that it doesn’t cost a lot and makes a big difference in wall U-factors. Wes says that in the 2012 IECC, air leakage is also going to be a major factor.Tom Fullam points out that in any wall assembly you need to be aware of moisture management issues — there’s no sense in building a superinsulated house if it’s not going to be durable.Prescriptive vs. performance. Jim Godbout says that he recently went to a meeting of ten reputable builders — these are guys who are proud of the way they are building — and all ten were insulating in different ways: proof that prescriptive paths don’t work.Mike Pindell and Chris Corson agree that if the PGH is going to require high performance levels, the standard has to be performance-based. Chris, who recently built a house that “killed the Passivhaus standard,” says that PGH could be the beginning of a potential paradigm shift. Sam agrees, and says that there doesn’t need to be one solution with a ribbon around it; simply planting five ideas in someone’s head will make a big difference.Steve Konstantino, owner of Maine Green Building Supply (our gracious host and provider of delicious sausages and other snacks), thinks that including an energy model up front is very important, in addition to testing performance at the end of the project. The best response so far to the second question came from Shepard Bosworth, a builder: you get a Pretty Good Plaque. But I think there may be other good answers to both questions. Let’s hear them. What is truly important when designing and building a green home? Some of the many existing programs don’t go far enough, some are accused of going too far, and some just miss the mark. What should be included in a Pretty Good House?We had a pretty good turnout, 50 people or so, at the most recent building science discussion group, held each month at Maine Green Building Supply in Portland. Plugs were made for the upcoming Maine Indoor Air Quality conference and the NESEA conference in Boston. We did a quick round of self-introductions, and then we got down to business — Part 2 of the Pretty Good House discussion. What’s the point?At the end of the night, there seemed to be a few recurring questions: Should you quantify the PGH, and if so, how? And what is the purpose of the PGH?
Full Video Tutorial Transcript[color-box color=”gray”]EVAN ABRAMS: In this After Effects tutorial from Premiumbeat.com we’re going to create a 3D mosaic break-apart and come together of a logo, or really anything. It’s going to be using the card dance plug-in and a couple of other things to shore it up, so let’s get into it. So inside of After Effects the first thing we’re going to do is create a new composition, and in this case we’re going to use the HDTV 1080 24 frames per second preset, and we’ll set the duration to 30 seconds even though we won’t use all of it.Now, the first thing we need to do is create a place holder for the logos or the elements that you’re going to break apart using the mosaic effect. For this case we’ll just make a new text layer and we’ll just type in logo. And we’re going to use sort of a gold-brown color, and we’ll shrink it down so that it fits more or less towards the center and we can use the align panel to put it right in the middle.Now on the logo we might dress this up with a drop shadow, just to give it a bit more visual interest. So we’ll give it a white drop shadow, set it’s opacity to 100, put up the distance above 15, and then we’ll also go into the character palette here and we’ll add a stroke to it. So this will serve as the logo for the piece, and what we’ll do is we will pre-compose this so, control-shift-C, and make sure you have move all attributes to new composition. We will call this the logo comp, and all of the things that we do are going to happen to this logo comp. If you need to change anything you just go inside and change it. So, comp 1 out here should be renamed final export, because this is where things will be exported from.Now the next layer we have to make is a control layer, so we’re going to make a new solid, and we’ll make it the comp size and we can set it as white or black, or it doesn’t really matter because we’re going to cover it up using fractal noise. Now fractal noise will generate this nice sort of cloud pattern, and you can change the fractal type and the noise type and all sorts of things. But for our purposes what we’re really interested in increasing the contrast a little bit, perhaps to 150, and you can tweak the brightness if need be. But I think we’ll leave it pretty much as is. We just want to make sure you can see pure black spots and pure white spots, and there is considerable amount of change going on throughout; because this layer is going to control what happens in the next part.The first thing to do is pre-compose this, so control-shift-C again, or Cmd-shift-C, and call this the control comp. And we would like to move our attributes into the new composition so the fractal noise we created stays on that solid and goes into the composition; and hit OK. And you can drag this below the logo comp, or just poke its eye out, because we don’t need to look at it. Now on the logo comp we are going to use something called the card dance, and the card dance basically will break up this layer into a bunch of small cards and then it will animate them using another layer. So we have to say, gradient layer 1 is now the control comp. That means it will be using that gradient and that fractal noise that we put on there, and then multiplying the values underneath the cards and using that to generate position and rotation changes in those cards.So, the first thing we want to do is change the rows and columns of these cards. This will divide the layer up into various rows and columns in order to make the cards. So we would like 90 rows and 160 columns; so we’re dividing its height here into 90 pieces and we’re dividing the width into 160. Since this is a 16 x 9 composition that’s divide it up into squares. Now, when we go down here to the Z position and we say, use the source’s intensity, you can see that it starts to fragment apart into a bunch of little squares. And as you increase the multiplier they start to go all over the place. So let’s set the multiplier at 25 and we’ll set a key frame here at the beginning for it to be at 25, and we’ll most ahead 30 frames holding down shift and page down. And then we’ll set the multiplier down to zero. So the layer kind of collects itself together out of all of these pieces.And we can also put in similar things for the X and Y position as well. So we’ll go back to the beginning here and we’ll set key frame for those. So we’ll set the multiplier here for the X position to be at 25 as well; and we will set the multiplier for the Y position to be at 25 as well. And then we’ll set the source to be intensity one for both. And you can see it spreads them out quite nicely. And you’ll probably need to refine this just to make it a little bit more cohesive so that it isn’t going all over the place.These don’t have to be as extreme, because we are going to also add movement using a camera. So let’s just call up those key frames by hitting U, and then advancing to where they should all come together and making sure they’re all at zero. And we can see how that all comes together. We’re going to want to easy-ease them all into their end state just so it doesn’t happen so abruptly. And now we’re going to create a new camera to add more motion. And we’re going to use the 24 mil. preset, hit OK, and go into the logo comp here. And we’re going to have to tell it to use the camera that is in the comp. So it has built-in camera controls, but we would like to use the composition camera to move things around.So what we’re going to do is we’re going to take this camera and we’re going to transform its position. So, we know its final position should be here, so set a key frame. And before we animate it we want to go layer transform R orient and remove its auto orientation towards this point of interest. It causes too much confusion when you start moving the position, but it’s still locked and staring at a fixed point that doesn’t actually move as well.So now move back to the beginning and we’ll just push the camera forward through this mass of particles until it reaches a point where there are no participles, or there are so few that it doesn’t really matter. And then we’ll also easy-ease that last key frame so that it’s pulling out as it’s coming together; so that looks pretty good. And we’d also like to add a rotation, so put a key frame for the Z rotation, or zed rotation, go back to the beginning and we will just induce perhaps 180 or 90 rotation there so it spins as it comes out, and again, easy-easing that last key frame.So we have the logo coming out and coming together quite nicely. In order to add a motion blur to this though we have to force it to have motion blur. So, type in force motion blur on the effects, and then drag that out onto the composition. And what this does is it over rides any native motion blurs because this effect actually can’t have normal motion blur applied to it. In fact, it doesn’t believe the layer is moving at all, and if you tried to apply motion blur to it it doesn’t believe there’s any vectors for it to apply.So that brings the logo together. We’re going to advance a few frames, as long as you want to have it on. And now to remove the logo we’re going to simply key frame the position, the rotation, and those multipliers again, and move ahead only 10 frames. And now we’re going to set all of these up to be 25 so it’s fragmenting apart. And we are going to go in at -180 on the Z rotation, and we’re going to push back in using the camera’s position. So at around 50 it’s all gone; that’s good. So we can see when it gets ready to break itself apart it’ll look kind of like everything’s flying at the camera; in some kind of vortex.So that’s working out for me. What we’ll do now is we’ll take these inside key frames here of the camera’s movement and we’ll just turn them into auto beziers, which means that these key frames here in the middle are going to be the result of a tween between the two on the edge, just so it has continuous motion and isn’t so boring.Now, the last thing to do is to just take these layers and style them a little bit. So we’ll make a new solid that will serve as the background;set it to whatever color of gray you think is important. But we’re going to use a ramp on that, and what I like to do is use a radial ramp, move the inside to be close to the middle, and move the outside to be beyond the corner; set the end color to be something dark, like 5, and set the inside color to be something a little bit lighter, like 25.Now we can apply a drop shadow to this layer here, and we will set it to be at a distance of 25 and a softness of 25. And we’ll just put the motion blur below that, and you might have to amp up opacity, so you can see it a little better; but there it is. And now what we’ll also be doing is we’ll be adding an alpha bevel, so bevel alpha; again, put that above the drop shadow and set it to a value of 4.Now what this does is it appears that the shadow is being cast on the background, so instead of it looking like we’re pushing a camera through something it’s more like these are coming from behind the camera or materializing in some way. So that shadow just helps to ground the image. And that’s about it. You can do this for example on this text placeholder, and then if someone comes around with a logo they would prefer you to use you can just go in and place it in the comp.Now what you can do is also change it, and just to show you what it looks like when you change things I will put in a star here that has rather ridiculous colors, just scale that down and remove the logo we originally made. And so now you can see that it works for just about anything that you put in there. So this has been Evan Abrams for Premium B.com, your source for royalty free sound effects and music. If you want to learn more go to After Effects or other applications; stop by the blog. There are plenty of other tutorials and tips and tricks from industry experts there. And as always, I’m Evan Abrams, thank you so much for watching, and I’ll see you next time.[/color-box] Create a 3D style mosaic animation in After Effects – perfect for making logos and titles more dynamic!In this After Effects tutorial, you’ll learn how to break apart text or a logo into a mosaic pattern and then quickly reassemble it for an impressive reveal. All of the AE tools used in this tutorial come default with the app, so there’s no need to purchase any fancy (read: expensive) third party plugins or filters.Although some AE experience is suggested before taking on this mosaic animation tutorial, it doesn’t require any advanced scripting or expressions. The fundamentals of the tutorial include:Applying the Fractal Noise plugin to text or logoUsing the Card Dance plugin to break the text or logo into a mosaic patternSimulating movement of the mosaic tiles with the AE virtual cameraApplying Force Motion Blur effect to the animation for a smoother effectAlthough the effect seems like a likely fit for text or a logo, it can actually be applied to any video or graphic element in your AE project. Best of all, the affected element sits in it’s own comp, so you can quickly swap it out for something else with the same animation applied. For example, if a client decides they want to update their logo you won’t need to go through all of the steps of reanimating it, simply swap out the logo in the comp.This AE mosaic effect is quite simple and will add pizazz to a video editing or motion design project.Tutorial best viewed in full screen:
The Bharatiya Janata Party has placed its bet on political greenhorn Bhanu Bhuria to throw a challenge for veteran Kantilal Bhuria in the Jhabua by-election, in a bid to halt the Congress waltz barely two steps away from a majority in the Madhya Pradesh Vidhan Sabha.The 10-month tenure of the Congress government has laid bare the party’s competing power centres, which were cobbled up for convenience to shore up the government the party secured after 15 years. And now, an implosion within the State unit seems impending. Farmer distress BJP’s Bhanu Bhuria, 36, plans to take on five-time MP and former Union Minister Kantilal Bhuria, 69, by raking up festering fault lines within the State Congress, farmer distress, shoddy flood relief and loan waiver in the State, ahead of the contest on October 21. “Despite being a tall leader, he couldn’t get any scheme for the region’s poor tribals when he was a Minister at the Centre and the State,” Mr. Bhanu, district president of the Bharatiya Janata Yuva Morcha, told The Hindu. The by-election became imminent after BJP MLA G.S. Damor wrested the Congress bastion of Ratlam in the Lok Sabha election. In both the Vidhan Sabha and the Lok Sabha elections, he embarrassed the Congress Bhurias — first Vikrant, and then father Kantilal. A win in the by-election could take the Congress just a step away from the majority mark of 116 in the 230-member House. Furthermore, it will help it ward off the persisting BJP offensive calling out its supposed minority in the Assembly. Mr. Damor’s resignation brought down the BJP’s tally to 108.“The youth have understood the Congress ploy of making false promises,” said Mr. Bhanu, whose sway in the Ranapur and Kalyanpur rural areas may help the BJP tide over the Congress stranglehold on villages. Recently, the BJP turned the campaign pitch shriller with Leader of the Opposition Gopal Bhargava terming by be-election a contest between India and Pakistan. Playing it safe, the BJP has dropped Bhopal MP Pragya Thakur from the list of star campaigners. And the Congress has stabled State Minister Umang Singhar and Jyotiraditya Scindia loyalists, although 40 leaders, including party interim president Sonia Gandhi and leader Rahul Gandhi and 10 State Ministers, are slated to lead the campaign trail. Mr. Singhar had earlier made the Congress nervous by accusing former Chief Minister Digvijaya Singh of trying to destabilise the State government. Despite his popularity among the Bhil tribe, Mr. Singhar has been given a short shrift. His aunt, Jamuna Devi, a former Deputy CM, galvanised tribals for the Congress. Meanwhile, Jai Adivasi Yuva Shakti, on organisation of tribal youth, has announced its support for the Congress. And even ticket expectant and former MLA Javier Medha has pledged support for Mr. Kantilal.
RBI to continue with tight monetary policy to check inflationThe RBI, which hiked interest rates for the tenth time in 15 months on Thursday, said it will continue with its tight monetary policy as inflation is spreading to the non-food segment also, which is a concern.”Based on the current and evolving growth and inflation scenario, the Reserve Bank will need to persist with its anti-inflationary stance of monetary policy,” the central bank said in its mid-quarter review of credit policy.”Domestically, inflation persists at uncomfortable levels. Moreover, the headline numbers understate the pressures because fuel prices have yet to reflect global crude prices,” it said.Read how you can deal with rising interest rates and still get that loan Non-food manufactured products inflation stood at 8.5 per cent in March. It increased from 6.3 per cent in April to 7.3 per cent in May, 2011, much above its medium-term trend of 4 per cent.”This pattern in non-food manufactured products inflation is a matter of particular concern. Besides reflecting high commodity prices, it also suggests more generalised inflationary pressures (and that) rising wages and costs of service inputs are apparently being passed on by producers along the entire supply chain,” the RBI said.Food inflation, however, declined marginally to 8.96 per cent for the week ended June 4 from 9.01 per cent in the previous week.Headline inflation, as measured by the wholesale price index (WPI), was 9.7 per cent in March, 8.7 per cent in April and 9.1 per cent in the following month.The RBI said given the recent pattern, the inflation numbers for April and May are likely to be revised upward.advertisement”Thus, the headline WPI inflation rate remains elevated, consistent with the projections made in the Annual Policy Statement of May 3,” it said.The main drivers of inflation in April-May, 2011, were non-food primary articles, fuel and non-food manufactured products. Best banks to take loan fromWith PTI inputsFor more news on India, click here.For more news on Business, click here.For more news on Movies, click here.For more news on Sports, click here.